Aeromarqueeweb.jpg (17494 bytes)

American Cinematheque at the Aero Theatre Presents...
Movies on the Big Screen Since 1940!
1328 Montana Avenue at 14th Street in Santa Monica


What's this?

EgyptianSched.jpg (23003 bytes)

Click to print Page 1 or Page 2 or Full Text of an May 2008 Calendar!
Series programmed by: Gwen Deglise.

FBuy Button.gif (2343 bytes)
www.fandango.com

button_MailingList.gif (909 bytes)

Special Thanks to: Cine Tamaris; Suzanne Leroy and Jared Sapolin/SONY REPERTORY; MIRAMAX; ZEITGEIST

Connect with other film fans on:
myspacebanner_88x31_01.gif (1274 bytes)

 

SOLD OUT SCREENINGS: There will be a waiting line for Sold Out screenings. Tickets often become available at the door the night of an event.

Sold out programs will be indicated here if sold out 24 hours in advance of screening date.

All guests are subject to availability. The Cinematheque will offer a refund due to guest cancellations only IF the refund transaction is complete PRIOR to the start of the show.

 

 

Tickets are $10 general admission unless noted otherwise.
HOME
SITE MAP
AMERICAN CINEMATHEQUE
ANNUAL BENEFIT GALA
MEMBERSHIP
PRESS
AERO THEATRE
SCHEDULE
(Aero by series)
SCHEDULE
(Aero Film Calendar)
AERO THEATRE TICKETS/DIRECTIONS
EGYPTIAN THEATRE
SCHEDULE
(Egyptian by series)
SCHEDULE
(Egyptian by date)
EGYPTIAN THEATRE HISTORY
FOREVER HOLLYWOOD
EGYPTIAN THEATRE TICKETS/DIRECTIONS
24-Hour Information: 323.466.FILM
Contact Us
The American Cinematheque is a non-profit 501 (C) (3) organization.
The Film Programs of the American Cinematheque are presented at the newly re-opened and renovated Aero Theatre at 1328 Montana Avenue in Santa Monica and at the magnificently renovated, historic 1922 Grauman's Hollywood Egyptian Theatre. Located at 6712 Hollywood Boulevard.
Photo Credit: Barry Gerber. Aero Theatre (c) 2004.

logosolidgoldbg.jpg (4989 bytes)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

<<< June 27 - 28, 2008 >>>

Jacques Demy's Colorful Masterpieces

 

Discuss this series with other film fans on:
http://www.myspace.com/americancinematheque

 

This series is an Aero Theatre Exclusive!

 

 

Few directors are as deserving of rediscovery as Jacques Demy - and few offer greater pleasures to the viewer lucky enough to make that discovery. A contemporary of Godard, Truffaut, and Chabrol, Demy eschewed politics and activism for sheer cinematic style: his best films, like THE YOUNG GIRLS OF ROCHEFORT and THE UMBRELLAS OF CHERBOURG, are gorgeously designed musicals in the best Hollywood tradition. Yet Demy's reputation as a mere purveyor of escapism is undeserved; underneath his candy-colored surfaces lie one of the most authentic visions of post-WWII Paris ever committed to celluloid. Rather than use style to escape reality, Demy employs technique to elevate our comprehension of it - his movies are as reflective of their era as Godard's, regardless of the difference in approach. Enjoy some of Demy's most beloved classics, as well as the rarely screened and absolutely essential MODEL SHOP.

 

 

 

Friday, June 27 – 7:30 PM

Double Feature:

BAY OF ANGELS (LA BAIE DES ANGES), 1963, Cine Tamaris, 79 min. One of director Jacques Demy's darker and more melancholy efforts, his second feature (following his triumphant debut with LOLA) tells the story of a vacationing bank clerk (Claude Mann) who gets involved with compulsive gambler Jeanne Moreau. The characters are surrounded by lush settings - the film takes place against the backdrop of Nice casinos and beaches - yet the obsessive behavior and gray cinematography undercut the glamour at every ironic moment. Legend has it that Jacques Demy wrote the script for this classic in three days during a production delay on THE UMBRELLAS OF CHERBOURG! Michel Legrand’s music is haunting.

MODEL SHOP, 1969, Sony Repertory, 95 min. Dir. Jacques Demy. Gary Lockwood stars as a young American who falls in love with French model Anouk Aimée in this, Jacques Demy's only Hollywood studio feature (it was financed by Columbia). Aimee reprises her role as Lola from Demy's first film, but neither she nor Lockwood is the real star of MODEL SHOP: That honor goes to the city of Los Angeles itself, which Demy photographs with the same blend of wonder and authenticity that characterize his French films. This is no idealized version of Hollywood - it's an L.A. of supermarkets and parking lots - yet Demy's romantic eye gives a style and dignity to even the most mundane people and locations.

 

 

Saturday, June 28 - 7:30 PM

Double Feature:

THE YOUNG GIRLS OF ROCHEFORT (LES DEMOISELLES DE ROCHEFORT), 1967, Miramax, 120 min. Director Jacques Demy's love letter to American musicals, French cityscapes and romance in general is one of his greatest triumphs, and one of the most gloriously invigorating movies ever made. The movie tells intersecting stories of a number of young dreamers - among them are Catherine Deneuve, Françoise Dorléac and Danielle Darrieux - who continually miss meeting their ideal mates by mere city blocks - city blocks that are all authentic, as Demy matches realistic location shooting with sheer flights of musical fantasy. The entire film is an odd but entirely satisfying hybrid of dreams and reality, a motif perfectly expressed by Michel Legrand's score and Demy's typically precise color palette. An added bonus: Gene Kelly in some of the most delightful moments in musical history.

THE UMBRELLAS OF CHERBOURG (LES PARAPLUIES DE CHERBOURG), 1964, Zeitgeist, 91 min. Dir. Jacques Demy. Auto mechanic Guy (Nino Castelnuovo) gets his girlfriend Genevieve (Catherine Deneuve) pregnant just before he leaves to fight in the Algerian war; they swear eternal allegiance to each other, but circumstances force Genevieve to marry another man and move to Paris. Jacques Demy tells this story entirely through music and lyrics, yet his musical is no fantasy - as critic Jonathan Rosenbaum has pointed out, it's an accurate portrayal of Paris that uses style to "exalt the ordinary." It's a one-of-a-kind film opera: a movie that is entirely artificial and stylized yet tough, complex and unsentimental - yet more deeply moving than a dozen more conventional melodramas.