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American Cinematheque at the Aero Theatre Presents...
Movies on the Big Screen Since 1940!
1328 Montana Avenue at 14th Street in Santa Monica


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Click to print Page 1 or Page 2 of a July  2010 Calendar!
Series compiled by: Gwen Deglise and Scott Foundas. Program notes by Beth Hanna.

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SOLD OUT SCREENINGS: There will be a waiting line for Sold Out screenings. Tickets often become available at the door the night of an event.

Sold out programs will be indicated here if sold out 24 hours in advance of screening date.

All guests are subject to availability. The Cinematheque will offer a refund due to guest cancellations only IF the refund transaction is complete PRIOR to the start of the show.

 

 

Tickets are $11 general admission unless noted otherwise.
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The American Cinematheque is a non-profit 501 (C) (3) organization.
The Film Programs of the American Cinematheque are presented at the newly re-opened and renovated Aero Theatre at 1328 Montana Avenue in Santa Monica and at the magnificently renovated, historic 1922 Grauman's Hollywood Egyptian Theatre. Located at 6712 Hollywood Boulevard.
Photo Credit: Barry Gerber. Aero Theatre (c) 2004.

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<<< July 16 - 17, 2010 >>>

A Tribute to Eric Rohmer and "The Six Moral Tales"

 

This is an Aero Theatre Exclusive!

 

Presented in association with the French Film & TV Office, French Embassy, Los Angeles.

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Eric Rohmer (1921 - 2010), one of the founding filmmaker-critics of the influential French New Wave, developed a contemplative, beautifully rhythmic cinematic language all his own. At a time when film tastes were shifting toward genre and visual stylistics, Rohmer, once a novelist and teacher of literature, retained focus on the nuances of conversation and interaction. In a Rohmer film, what is said and done between characters is important – while what is left unsaid and undone between characters is vitally important. This is seen throughout Rohmer's most famous series of films, "The Six Moral Tales," begun in 1963. In MY NIGHT AT MAUD'S, the Rohmer film best-known film to American audiences and the second feature-length installment in the series, a man and a woman are thrown together for a snowbound evening of existential discussion. The result is an elegant character study that unhurriedly reveals modern dilemmas and daily tragedies with frankness and even humor. This same patient attention to wordplay is prevalent in Rohmer's other "Moral Tale" masterworks, CLAIRE'S KNEE, CHLOE IN THE AFTERNOON and LA COLLECTIONNEUSE.

Please join us for a weekend tribute to the magnificent career of Eric Rohmer with his "Six Moral Tales," which also includes screenings of the shorts "The Bakery Girl of Monceau" and "Suzanne's Career." Buy Tickets

 

 

Friday, July 16 – 7:30 PM

Double Feature: MY NIGHT AT MAUD’S (MA NUIT CHEZ MAUD), 1969, Wellspring, 105 min. Winner of Cannes’ Golden Palm and nominated for an Oscar, this film remains one of the most successful attempts to unravel the complex human psyche. Narrator Jean-Louis Trintignant vows to marry, only to fall in fascination with another woman, divorcee Maud (Françoise Fabian). Trailer

CLAIRE’S KNEE (LE GENOU DE CLAIRE), 1970, Wellspring, 105 min. Dir. Eric Rohmer. While vacationing, Jean-Claude Brialy becomes obsessed with a desire to have tactile contact with a certain body part of teenage Claire (Laurence de Monaghan). Plus, prior to the first feature: "The Bakery Girl of Monceau," (1962, 23 min). A young man (Barbet Schroeder) pursues a beautiful woman he meets randomly on the street, but when days go by without seeing her, he develops a new object of affection: the girl working in the local bakery. Trailer | Buy Tickets

 

 

Saturday, July 17 – 7:30 PM

Double Feature: LA COLLECTIONNEUSE, 1967, Les Films du Losange, 89 min. Dir. Eric Rohmer. When cultured art dealer Adrien (Patrick Bauchau) retreats to a Mediterranean villa with his close friend for a quiet summer of reading and relaxing, he doesn't count on the presence of a third roommate - Haydee (Haydee Politoff), a young woman whose free-spirited, sexually uninhibited behavior is an unwelcome addition to the planned serenity. Trailer

CHLOE IN THE AFTERNOON (L’AMOUR L’APRES MIDI), 1972, Les Films du Losange, 97 min. Dir. Eric Rohmer. Affable businessman Frederick (Bernard Verley) inhabits a healthy, loving marriage with his wife, with seemingly little to disrupt it. Then he falls for the aggressively desirable Chloe (Zouzou), and his carefully functioning universe is set askew. Plus, prior to the first feature: "Suzanne's Career," (1963, 54 min). Two friends, one a shy pharmacologist and one a slick womanizer, each go after a different woman, using drastically different techniques.
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