Become a Member
35mm, 70mm, nitrate, state-of-the-art digital. Q&As, retrospectives, double-features, triple-features, marathons. We’re a year-round film festival. There’s something for everyone in our programming lineup.
The American Cinematheque is a member-donor-volunteer supported 501(c)(3) non-profit arts organization whose mission is to celebrate the experience of cinema.
37 years of American Cinematheque film programming….and counting. Dive into the AC Vault to discover past Q&As and clips from our vast and newly digitized archives, old calendars and programs, new podcasts, conversations and much more.
Since it began screening films to the public in 1985, the American Cinematheque has provided diverse film programming and immersive in-person discussions and events with thousands of filmmakers and luminaries, presenting new and repertory cinema to Los Angeles.
$8.00 (member) ; $13.00 (general admission)
Los Feliz 3 | In 35mm
Home / Now Showing / Jonathan Ames Presents THE LONG GOODBYE
Robert Altman deconstructs the private-eye genre while somehow remaining faithful to the spirit of the original Raymond Chandler novel (aided by screenwriter Leigh Brackett, who helped adapt Howard Hawks’ THE BIG SLEEP). Elliott Gould is a smart-aleck, slightly inept Philip Marlowe, a detective seemingly more concerned about feeding a cat than solving a case. He gets drawn into a labyrinth of deceptions and double crosses by friend Terry Lennox (Jim Bouton), a beautiful rich woman (Nina Van Pallandt) with a drunken, genius writer of a husband (Sterling Hayden in a tour de force portrayal), a quietly menacing psychiatrist (Henry Gibson) and a sociopathic gangster (Mark Rydell). Altman rips aside the slick veneer of the Southern California good life, revealing the smog-drenched, corrupt underbelly like few other directors before or since.
FORMAT: 35mm print courtesy of the Robert Altman Collection at the UCLA Film & Television Archive
DISTRIBUTOR: Park Circus/MGM