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35mm, 70mm, nitrate, state-of-the-art digital. Q&As, retrospectives, double-features, triple-features, marathons. We’re a year-round film festival. There’s something for everyone in our programming lineup.
The American Cinematheque is a member-donor-volunteer supported 501(c)(3) non-profit arts organization whose mission is to celebrate the experience of cinema.
37 years of American Cinematheque film programming….and counting. Dive into the AC Vault to discover past Q&As and clips from our vast and newly digitized archives, old calendars and programs, new podcasts, conversations and much more.
Since it began screening films to the public in 1985, the American Cinematheque has provided diverse film programming and immersive in-person discussions and events with thousands of filmmakers and luminaries, presenting new and repertory cinema to Los Angeles.
$8.00 (member) ; $13.00 (general admission)
Aero Theatre | Double Feature
Home / Now Showing / PSYCHO / CAT PEOPLE
Original Theatrical Cut! PSYCHO, 1960, Universal, 109 min. Dir. Alfred Hitchcock
In Alfred Hitchcock’s groundbreaking psychological horror, lovely embezzler Marion Crane (Janet Leigh) takes refuge from a rainstorm off the beaten track on a lonely California highway. Unfortunately, she checks in at the Bates Motel, presided over by young Norman Bates (Anthony Perkins), a strange fellow living with his mother in a nearby mansion. Hitchcock used the small crew from his popular TV show for this hair-raising example of California Gothic, and it remains one of the most influential chillers ever made. With Vera Miles and John Gavin.
FORMAT: 4K DCP
CAT PEOPLE, 1942, Warner Bros., 73 min. Dir. Jacques Tourneur
Serbian immigrant Irena (Simone Simon) can’t bring herself to bed new husband Oliver (Kent Smith) for fear she will transform into a cat, as her homeland’s fables warn. When Oliver sends her to a psychiatrist, Irena’s problems only worsen, until her demons come clawing and growling to the surface. Jacques Tourneur’s darkly stylish, genuinely frightening horror-noir is laced with subversive sexual undertones, and was the high point of his estimable collaborations with producer Val Lewton at RKO.