Give the Gift of Cinema!
35mm, 70mm, nitrate, state-of-the-art digital. Q&As, retrospectives, double-features, triple-features, marathons. We’re a year-round film festival. There’s something for everyone in our programming lineup.
Everything we do is rooted in the collective, communal experience of the movies and bringing people together around the cinematic arts. Your membership ensures access to that experience is available to everyone and includes a number of personal benefits.
The American Cinematheque is a member-donor-volunteer supported 501(c)(3) non-profit arts organization whose mission is to celebrate the experience of cinema.
40 years of American Cinematheque film programming….and counting. Dive into the AC Vault to discover past Q&As and clips from our vast and newly digitized archives, old calendars and programs, new podcasts, conversations and much more.
Since it began screening films to the public in 1985, the American Cinematheque has provided diverse film programming and immersive in-person discussions and events with thousands of filmmakers and luminaries, presenting new and repertory cinema to Los Angeles.
$8.00 (member) ; $13.00 (general admission)
Los Feliz 3 | Part of the “Melvin Van Peebles: An American Cinematheque Tribute” series
Home / Now Showing / THE STORY OF A THREE-DAY PASS
Melvin Van Peebles’s edgy, angsty, romantic first feature could never have been made in America. Unable to break into a segregated Hollywood, Van Peebles decamped to France, taught himself the language, and wrote a number of books in French, one of which, La permission, would become his stylistically innovative feature debut. Turner (Harry Baird), an African American soldier stationed in France, is granted a promotion and a three-day leave from base by his casually racist commanding officer and heads to Paris, where he finds whirlwind romance with a white woman (Nicole Berger)—but what happens to their love when his furlough is over? Channeling the brash exuberance of the French New Wave, Van Peebles creates an exploration of the psychology of an interracial relationship as well as a commentary on France’s contradictory attitudes about race that is playful, sarcastic, and stingingly subversive by turns, and that laid the foundation for the scorched-earth cinematic revolution he would unleash just a few years later with SWEET SWEETBACK’S BAADASSSSS SONG.
FORMAT: New 4K DCP restored by IndieCollect in consultation with Mario Van Peebles, with support from the Hollywood Foreign Press Association.
DISTRIBUTOR: Janus Films
In Bulk Membership Mode