New Merch for Sale!
35mm, 70mm, nitrate, state-of-the-art digital. Q&As, retrospectives, double-features, triple-features, marathons. We’re a year-round film festival. There’s something for everyone in our programming lineup.
The American Cinematheque is a member-donor-volunteer supported 501(c)(3) non-profit arts organization whose mission is to celebrate the experience of cinema.
40 years of American Cinematheque film programming….and counting. Dive into the AC Vault to discover past Q&As and clips from our vast and newly digitized archives, old calendars and programs, new podcasts, conversations and much more.
Since it began screening films to the public in 1985, the American Cinematheque has provided diverse film programming and immersive in-person discussions and events with thousands of filmmakers and luminaries, presenting new and repertory cinema to Los Angeles.
Home / DEEPA MEHTA – An American Cinematheque Tribute
Presented with the Consulate General of Canada, with the support of the Indian Film Festival of Los Angeles
On the occasion of the unveiling of Deepa Mehta’s portrait at the Canadian House, the American Cinematheque is proud to celebrate Deepa Mehta’s cinema and to welcome her for Q&As.
Deepa Mehta’s courageous, provocative and often breathtaking films have been gracing international film festivals for decades. Born in India, Mehta received her degree in philosophy from the University of New Delhi before immigrating to Canada, and that philosophical training infuses her visually and emotionally powerful features.
Mehta got her start making documentaries in India and her commitment to exposing harsh truths drives her acclaimed Elements Trilogy, which explores how the elements that nurture us can also destroy us. FIRE (1996) deals with India’s patriarchal culture by looking at arranged marriages, female desire and homosexuality. EARTH (1998), explores the violent political separation of India and Pakistan. WATER (2005), which examines the plight of a group of widows in the late 1930s, is a potent critique of religion.
Another epic filmic feat for Deepa Mehta is 2012’s MIDNIGHT’S CHILDREN, an adaptation of Salman Rushdie’s masterpiece about India in the 20th century. The Vancouver-set BEEBA BOYS (2015) portrays an Indo-Canadian gang war, depicting a violent clash of culture and crime. Mehta’s FUNNY BOY (2020), another literary adaptation, similarly explores political and cultural tensions between the Sinhalese and Tamil communities of Sri Lanka. Released by Ava DuVernay’s Array, the film is a coming-of-age story unfolding in the midst of a Civil War, about a young boy who falls in love with his male classmate.
Deepa Mehta will also be participating in our upcoming ‘Sunday Print Edition,’ introducing Satyajit Ray’s CHARULATA (1964), based on a novel by Rabindranath Tagore. Mehta is the perfect filmmaker to present this story of a woman’s yearning for love, creativity and independence beyond the confines of the world she inherits.
Program Notes by Kayla Cummings.
$8.00 (member) ; $13.00 (general admission)
Aero Theatre | Q&A with filmmaker Deepa Mehta, moderated by USC School of Cinematic Arts professor Mary Sweeney
Plus virtual introduction by filmmaker Karyn Kusama
$10.00 (member) ; $15.00 (general admission)
Aero Theatre | Q&A with filmmaker Deepa Mehta following FIRE, moderated by Dr. Priya Jaikumar, Professor of Cinema and Media Studies, USC School of Cinematic Arts
Los Feliz 3 | Introduction by filmmaker Deepa Mehta
Los Feliz 3 | Q&A with filmmaker Deepa Mehta, moderated by Allison Anders
In Bulk Membership Mode