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35mm, 70mm, nitrate, state-of-the-art digital. Q&As, retrospectives, double-features, triple-features, marathons. We’re a year-round film festival. There’s something for everyone in our programming lineup.
The American Cinematheque is a member-donor-volunteer supported 501(c)(3) non-profit arts organization whose mission is to celebrate the experience of cinema.
37 years of American Cinematheque film programming….and counting. Dive into the AC Vault to discover past Q&As and clips from our vast and newly digitized archives, old calendars and programs, new podcasts, conversations and much more.
Since it began screening films to the public in 1985, the American Cinematheque has provided diverse film programming and immersive in-person discussions and events with thousands of filmmakers and luminaries, presenting new and repertory cinema to Los Angeles.
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Los Feliz 3 | François Truffaut’s The Adventures of Antoine Doinel
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Home / Now Showing / THE 400 BLOWS / ANTOINE AND COLETTE (short)
THE 400 BLOWS, 1959, Janus, 99 min, France, Dir: François Truffaut
François Truffaut’s first feature is also his most personal. Told from the point of view of Truffaut’s cinematic counterpart, Antoine Doinel (Jean-Pierre Léaud), The 400 Blows (Les quatre cents coups) sensitively re-creates the trials of Truffaut’s own childhood, unsentimentally portraying aloof parents, oppressive teachers, and petty crime. The film marked Truffaut’s passage from leading critic to trailblazing auteur of the French New Wave.
Antoine and Colette, 1962, Janus, 32 min, France, Dir: François Truffaut
After indulging in much delinquency in his youth, seventeen-year-old Antoine Doinel, having been provided opportunity to get out of that delinquent life, is now an upstanding member of society working for Philips Records, which allows him to indulge in his love of music. At the Youth Concerts, he has noticed the same young woman at several performances. She is Colette and the two begin to date. Colette treats Antoine like a buddy, while Antoine has fallen in love with her. His pursuit of getting Colette to be his exclusive girlfriend is helped on the surface by the fact that Colette’s parents like him and encourage their dating. He uses grand romantic gestures to try and prove his love. Will Colette ultimately fall for Antoine’s romanticism?
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