Starting Nov 2: All AC Screenings & Events are Vaccinated-Only
35mm, 70mm, nitrate, state-of-the-art digital. Q&As, retrospectives, double-features, triple-features, marathons. We’re a year-round film festival. There’s something for everyone in our programming lineup.
The American Cinematheque is a member-donor-volunteer supported 501(c)(3) non-profit arts organization whose mission is to celebrate the experience of cinema.
37 years of American Cinematheque film programming….and counting. Dive into the AC Vault to discover past Q&As and clips from our vast and newly digitized archives, old calendars and programs, new podcasts, conversations and much more.
Since it began screening films to the public in 1985, the American Cinematheque has provided diverse film programming and immersive in-person discussions and events with thousands of filmmakers and luminaries, presenting new and repertory cinema to Los Angeles.
$10.00 (member) ; $15.00 (general admission)
Los Feliz 3 | Q&A following with Dasha Nekrasova, moderated by Riley Stearns
This is a vaccinated-only screening
This event has sold out
Home / Now Showing / THE SCARY OF SIXTY-FIRST
The heart of true exploitation is its sheer audacity, and Dasha Nekrasova’s debut feature THE SCARY OF SIXTY-FIRST has it by the bucketload. The premise alone surely prompts a mildly repressed shriek from even the most open-minded trash film appreciator; set in New York City, two young women find the rental deal of a lifetime, but the end of their house-hunting leads to the beginning of an outrageous supernatural nightmare of bad vibes and bad taste as they learn the property was once owned by … Jeffrey Epstein. Our protagonists are Noelle (Madeline Quinn, who co-wrote the film with Nekrasova) and Addie (Betsey Brown), and while the latter forms a supernatural, psychosexual bond with the widely documented abuses now synonymous with Epstein’s name, Noelle teams up with an enigmatic conspiracy theorist called The Girl (played by Nekrasova herself), with whom she spirals into a world of conjecture and paranoia. – Alexandra Heller-Nicholas